The Glories of the Resurrection
Dante’s pilgrim begins his journey through the bowels of Hell on Good Friday. He comes up on the other side of the globe, on the shores of Mount Purgatory, just before dawn on Easter Sunday. The timing is neither incidental nor a coincidence. It is necessary. For this is the story of Dante’s salvation; this is his personal testimony, if you will. Though he is not yet consciously aware of it, the pilgrim has died with Christ on Friday, and has been raised to newness of life on Sunday. That gift of regeneration is what fuels his growing consciousness of … Continue Reading “The Glories of the Resurrection”
The Mighty Power of Good Friday
According to Dante’s vibrant imagination, Hell is a ramshackle kingdom, broken and falling apart. As the pilgrim journeys through the terrible realm, he sees on every side ruin and decay, and not only in the faces of the damned. The very landscape is full of craggy landslides, crumbled towers, broken bridges, and wreckage. As the downward journey continues, it becomes more and more obvious that the city of Dis, named for the archfiend, was once a staggering achievement, something akin to Milton’s Pandemonium. But now it is a Pandemonium gone wrong. Everything is in shabby disrepair. As the travelers descend … Continue Reading “The Mighty Power of Good Friday”
Just the Inferno?
Of the many, many people I have talked to over the years about Dante, the vast majority of those who have actually read something of the Comedy have only read the Inferno. Usually it’s because that’s all they read in high school. And when talking with teachers who only assign the Inferno, more often than not the reasoning is something like, we simply do not have time to get through the whole poem. And I get it. It’s a long poem, and the further you get the more obscure and difficult it becomes. What is more, unlike the other two … Continue Reading “Just the Inferno?”
Three Reasons Every High School Student Should Study Dante
Listen to the article. I want to make the case that every high school student should read and study Dante’s Comedy. More specifically, I want to argue that every protestant, reformed, and evangelical high school student should read and study Dante. Everyone should read Dante, so why do I get so specific? Because Dante was upstream of the Protestant Reformation. He was born before Luther and Calvin, and predates the Protestant Reformation. Because of this, he is often unjustly condemned to the wrinkled brows of skepticism and wariness. Dante published the Comedy almost 200 years before Luther posted his 95 … Continue Reading “Three Reasons Every High School Student Should Study Dante “
The Centrality of Christ
Audio version of this blog post It is easy to read the Comedy, and Paradiso especially, and lose sight of the pilgrim’s primary trajectory, a trajectory that governs the whole poem. There are over five hundred characters that find their way into the narrative, hundreds of ancient Greek and Roman myths explicitly and implicitly alluded to, dozens of political events particular to thirteenth and fourteenth-century Italy referenced, and many points of theology discussed as foreign to us as the Medieval world itself. It is no great surprise we feel lost reading the Comedy for the first time. Even an English … Continue Reading “The Centrality of Christ”
Nostra Vita – Joe Carlson
The following was my portion of a Dante panel, focusing on the Inferno, presented at the University of Dallas, March 27, 2023. Nel mezzo del cammin di nostra vita. The 13th century Florentine poet, Dante Alighieri begins the greatest poem in the history of mankind with these words: Nel mezzo del cammin di nostra vita — In the middle of the course of our life. This opening line is rich with meaning and implications that govern the rest of the 14,232 lines that follow. It situates the poem in the striking particularity of an individual, and identifies that individual’s journey … Continue Reading ” Nostra Vita – Joe Carlson”
Four Reasons to Read Dante in 2023
Audio version of this article It’s a new year. You are looking back at the number of books you read during the past twelve months and perhaps sighing. You therefore look ahead and resolve to read more. But where do you begin? Allow me to give you four reasons why you should place Dante’s Comedy at the top of your 2023 to-read pile. POETRY Poetry teaches, shapes, edifies, and enriches us not by giving us a lecture, but by inviting us into an experience. Poetry surrounds us and ushers us into an imaginative landscape where we meet timeless truths in beautiful language. … Continue Reading “Four Reasons to Read Dante in 2023”
Dante and the Nature of Sanctification
A central question in the Christian life is this: what does it mean to grow in holiness, and that particular holiness without which we will not see the Lord (Hebrews 12:14)? You should not be surprised to hear me say there are seriously helpful answers to this question to be found in Dante’s Comedy. If you are a thorough-going protestant like myself, you might be surprised to hear that many of those answers are found in Purgatorio. There will be a time and place for unpacking the full nature of what our relationship to the notion of Purgatory should be … Continue Reading “Dante and the Nature of Sanctification”
Dante, Protestant
Ok, so of course I’m being provocative. Dante was not a son of the Protestant Reformation. His Comedy was published in 1320, a full 200 years before Luther said, “Here I stand…” at Worms. And yes, his epic poem is full of doctrines that make actual protestants squirm. He prays to Mary; he prays for the dead; he holds to a purgatorial state where, even if man is reconciled to God by the blood of the cross, sinful habits that remain at the end of one’s life still must be purged after death before one ascends to Heaven. So how … Continue Reading “Dante, Protestant”
An Intro to Dante, by Dante
This Article is an excerpt from the introduction to Inferno: Reader’s Guide. Dante Alighieri finished his Comedy (it was only called the Divine Comedy after his death) in 1320. He dedicated the final volume, Paradiso, to his friend and benefactor, the “magnificent and most victorious Lord, the Lord Can Grande della Scala.” In a famous letter written to his patron, Dante acknowledges the helpfulness of introductions. He says, If any one, therefore, is desirous of offering any sort of introduction to part of a work, it behooves him to furnish some notion of the whole of which it is a … Continue Reading “An Intro to Dante, by Dante”